2:46
Dramatic, large orchestral build
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60005
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
3:10
Dramatic, large orchestra. No big build
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60066
Éditeur
Audio Network Plc
Description
The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
2:46
Dramatic, large orchestra. Classical mix - less percussion
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60067
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
3:10
Dramatic, large string orchestra. Classical mix - no brass
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60068
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
1:49
Uncomfortable brass ensemble. Dark doings
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60069
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
1:51
Uncomfortable brass ensemble with percussion. Dark doings & a drummer
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60070
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
1:00
Dramatic, large orchestral build
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60071
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
0:58
Drums & percussion mix
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60072
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
0:30
Dramatic, large orchestral build
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60073
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
0:09
Violent orchestral sting
Tonalité
Dm (ends in Dm)
Mesure
4/4
Tempo100 bpm (ends at 100)
Notes TempoFast
ISRCGB-FFM-11-60074
Éditeur
Audio Network Plc
Description
Recorded with the Royal Philharmonic Orchestra at Abbey Road Studios in March 2011. The strings on this session were sight read by the orchestra and we used the second take. The timing is spot on throughout - which is why we like to use the RPO!
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